Index Volume 111, 1-4


Index

Volume 111 1-4

Poetry

You Can’t be in Heaven and on Earth at the Same Time”, Fred Shaw, 111 3/4—75

[from] Oblique Strategies “Abandon normal instruments”, Leslie Ullman, 111 1/2—32

[from] Oblique Strategies “Accept advice”, Leslie Ullman, 111 1/2—33

[from] Oblique Strategies “Accretion”, Leslie Ullman, 111 1/2—34

[from] Oblique Strategies “Allow an easement (…the abandonment of a stricture)”, Leslie Ullman, 111 1/2—35

[From] the Grief Artist, Jack Vian, 111 3/4—70

[In large cities], Sudie Nostrand, 111 3/4—72

A Nursing Home in Kentucky, Adam Scheffler, 111 3/4—58

Acceptance Speech, Indran Amirthanayagam, 111 3/4—62

After Life, Jeneva Stone, 111 1/2—71

After the Silent Era, Mike White, 111 1/2—36

Aldrich, Linda, Buried Deep, 111 1/2—27

Aldrich, Linda, Nothing Else, 111 1/2—29

Amirthanayagam, Indran, Acceptance Speech, 111 3/4—62

Androgyny, Cassie Pruyn, 111 1/2—59

Araguz, José Angel, Music Box, 111 3/4—91

Ars Poetica: Starting Over, Marie Reynolds, 111 3/4—42

At the Met, Colette Inez, 111 3/4—40

Austin, Geer, Club Tie, 111 1/2—66

Awan, Javy, Ticket Outta Here, 111 3/4—33

Baker, June Frankland, Hawk in November, 111 1/2—40

Balderrama, Jacqueline, You and I See the Animals, 111 3/4—30

Barbershop, Katherine Lo, 111 3/4—28

Bargowski, John, Star Party, 111 3/4—73

Barnat, Dara, The Age I Am to Myself, 111 3/4—63

Barnat, Dara, What Spanish Moss Knows, 111 3/4—65

Bean, Jeffrey, The Voyeur Looks at The Milkmaid, Jan Vermeer, 111 1/2—58

Bean, Jeffrey, The Voyeur Sees Her Leave in the Evening, 111 1/2—57

Beard, Christopher, Catching Old Movies at Theater Arcadia, 111 3/4—22

Black Boy, Independent School, Hayes Davis, 111 1/2—45

Bond, Julian, What Does It Mean?, 111 3/4—25

Buried Deep, Linda Aldrich, 111 1/2—27

Bus Stop, Lagos, Dallas Crow, 111 1/2—12

Careful what You Wish for, Susannah Lawrence, 111 1/2—23

Carroll, Peter Neil, JFK, 111 3/4—24

Catching Old Movies at Theater Arcadia, Christopher Beard, 111 3/4—22

Chernobyl Necklace, Teresa Mei Chuc, 111 3/4—66

Chevy Lumina Camera Obscura, Casey Nagle, 111 3/4—32

Chuc, Teresa Mei, Chernobyl Necklace, 111 3/4—66

Club Tie, Geer Austin, 111 1/2—66

Commute, Ceridwen Hall, 111 1/2—75

Crews, James, Halfway-Heaven, 111 3/4—53

Crooker, Barbara, Garden of the Painter at Saint Clair, 1908, 111 1/2—55

Crow, Dallas, Bus Stop, Lagos, 111 1/2—12

Darwinian Pantoum, Denise Duhamel, 111 3/4—38

Davis, Hayes, Black Boy, Independent School, 111 1/2—45

Davis, Todd, Lost Country of Light, 111 1/2—54

Delaplaine, Joanne Rocky, The Local World, 111 1/2—42

Departures, Guy Thorvaldsen, 111 1/2—15

DeWald, Jaydn, Evening Sketch: After Jack Gilbert, 111 1/2—81

Dharma, Vandana Khanna, 111 1/2—22

Donlon, Tom, Junk Drawers, 111 1/2—39

Drayus, Frankie, Trapped caught held, 111 3/4—14

Duhamel, Denise, Darwinian Pantoum, 111 3/4—38

Evening Sketch: After Jack Gilbert, Jaydn DeWald, 111 1/2—81

Every Day a River, Emily Tuszynska, 111 3/4—88

Fargnoli, Patricia, Winter Day in New York City, 1973, 111 1/2—74

Fincke, Gary, Lie Still, 111 1/2—31

Galileo Looking Up, Brad Johnson, 111 3/4—74

Garden of the Painter at Saint Clair, 1908, Barbara Crooker, 111 1/2—55

Goldensohn, Lorrie, Homage to William Blake, 111 1/2—18

Goldensohn, Lorrie, Little Fish, 111 1/2—19

Goldensohn, Lorrie, Native Speech, 111 1/2—16

Grackles, Anya Silver, 111 3/4—41

Green, Chris, The Poem as Dog, 111 3/4—11

Halfway-Heaven, James Crews, 111 3/4—53

Hall, Ceridwen, Commute, 111 1/2—75

Hardy, Myronn, The Super Looks from Balcony, 111 3/4—60

Harris, Judith, My Father Comes to My Hospital Room, 111 3/4—56

Harris, Judith, My Father in Red Sweater, 111 3/4—57

Hawk in November, June Frankland Baker, 111 1/2—40

Holton Hookway, Jackleen, Literature, 111 3/4—85

Holton Hookway, Jackleen, Meditation on a Baby Wipe, 111 3/4—86

Holy Ghost, Matthew Thorburn, 111 3/4—16

Homage to William Blake, Lorrie Goldensohn, 111 1/2—18

Hooked Fish, Jay Leeming, 111 1/2—61

Hooper, Patricia, Three Weeks of Peonies, 111 1/2—56

Houle, Adam, Night Studies: Laudo, Laudare, Laudavi, Laudatum, 111 1/2—82

Houle, Hillary Brooks, I Still See You, 111 3/4—90

Hunter, Rob, The Dementia Patients, 111 3/4—59

I Still See You, Hillary Brooks Houle, 111 3/4—90

In Memory of an Evening Walk in August, Frannie Lindsay, 111 1/2—78

In St. Louis, My Son, Daughter and I Stroll the Old Delmar Loop, Rodney Torreson, 111 3/4—77

Inez, Colette, At the Met, 111 3/4—40

It will Never get any Better, Moira Linehan, 111 1/2—13

Jacques, Rob, Washing My Enemy’s Feet, 111 1/2—52

James Crews, The Question, 111 3/4—52

Jenny Browne, The Pretty Lizard Breaks, 111 3/4—98

JFK, Peter Neil Carroll, 111 3/4—24

Johnson, Brad, Galileo Looking Up, 111 3/4—74

Johnson-Miller, Betsy, let’s try this again: what is romantic, 111 3/4—80

Jones, Richard, The Black-and-White Photograph, 111 3/4—46

Jones, Richard, Waiting for the Bus, 111 3/4—45

Junk Drawers, Tom Donlon, 111 1/2—39

Karapetkova, Holly, Southern Gothic, 111 1/2—46

Karapetkova, Holly, White Power, 111 1/2—47

Khanna, Vandana, Dharma, 111 1/2—22

Kindness, Jason Tandon, 111 1/2—14

Knucks, Lee Rossi, 111 3/4—43

Kumquat, Lee Rossi, 111 1/2—84

Lagoon, Point Reyes, Helle Annette Slutz, 111 1/2—24

Last Night, Sue Song, 111 3/4—49

Last Rites, Sue Song, 111 3/4—50

Lawrence, Susannah, Careful what You Wish for, 111 1/2—23

Leeming, Jay, Hooked Fish, 111 1/2—61

Leftovers, Marge Piercy, 111 1/2—37

let’s try this again: what is romantic, Betsy Johnson-Miller, 111 3/4—80

Lie Still, Gary Fincke, 111 1/2—31

Lindsay, Frannie, In Memory of an Evening Walk in August, 111 1/2—78

Linehan, Moira, It will Never get any Better, 111 1/2—13

Literature, Jackleen Holton Hookway, 111 3/4—85

Little Fish, Lorrie Goldensohn, 111 1/2—19

Lo, Katherine, Barbershop, 111 3/4—28

Lonesome on the Earth, Naomi Shihab Nye, 111 3/4—95

Lost Country of Light, Todd Davis, 111 1/2—54

Lost Spring, Stephen Massimilla, 111 1/2—21

Malik, Rasak, What My Father Says Every Night, 111 3/4—61

Marie, Regina, On Mooring, 111 1/2—25

Mark, Michael, Playing with the House’s Money, 111 1/2—70

Martin, Paul, The Cry, 111 1/2—51

Martin, Paul, The Peach, 111 3/4—54

Massimilla, Stephen, Lost Spring, 111 1/2—21

Mayo, Tim, The Only Picture, 111 1/2—64

McCabe, V.C., No Trespassing, 111 1/2—26

Meditation on a Baby Wipe, Jackleen Holton Hookway, 111 3/4—86

Meet the Faces, Leona Sevick, 111 1/2—43

Mesa, Helena, Offering, 111 3/4—83

Mesa, Helena, The Players, 111 3/4—84

Metronome, Jeneva Stone, 111 1/2—72

Migrations, Doug Ramspeck, 111 1/2—79

Miller, Jennifer Stewart, Silversides, 111 1/2—20

Missing Sister, Betsy Sholl, 111 3/4—29

Music Box, José Angel Araguz, 111 3/4—91

My Captive, Suzanne O’Connell, 111 3/4—13

My Father Comes to My Hospital Room, Judith Harris, 111 3/4—56

My Father in Red Sweater, Judith Harris, 111 3/4—57

My Father’s Guns, Cynthia White, 111 3/4—55

Nagle, Casey, Chevy Lumina Camera Obscura, 111 3/4—32

Naked, Lee Rossi, 111 1/2—83

Native Speech, Lorrie Goldensohn, 111 1/2—16

Night Studies: Laudo, Laudare, Laudavi, Laudatum, Adam Houle, 111 1/2—82

No Reason, Nora Hutton Shepard, 111 3/4—71

No Trespassing, V.C. McCabe, 111 1/2—26

Nostrand, Sudie, [In large cities], 111 3/4—72

Not to walk, Leah Souffrant, 111 1/2—76

Nothing Else, Linda Aldrich, 111 1/2—29

Now that you’re in a better mood, Karen Sagstetter, 111 3/4—79

Nye, Naomi Shihab, Lonesome on the Earth, 111 3/4—95

Nye, Naomi Shihab, Ring, 111 3/4—93

O’Connell, Suzanne, My Captive, 111 3/4—13

O’Connell, Suzanne, Sepia Tones, 111 3/4—12

Offering, Helena Mesa, 111 3/4—83

On Mooring, Regina Marie, 111 1/2—25

Pandora, R.T. Smith, 111 3/4—67

Performing Heart-Repair Surgery at 2 A.M. While Asleep, Hayden Saunier, 111 3/4—19

Petrichor, Brooke Sahni, 111 3/4—69

Pfingston, Roger, Pie Pan, 111 3/4—37

Pie Pan, Roger Pfingston, 111 3/4—37

Piercy, Marge, Leftovers, 111 1/2—37

Playing with Guns, Artress Bethany White, 111 1/2—49

Playing with the House’s Money, Michael Mark, 111 1/2—70

Polished, Lindsey Royce, 111 3/4—26

Pruyn, Cassie, Androgyny, 111 1/2—59

Ramspeck, Doug, Migrations, 111 1/2—79

Reynolds, Marie, Ars Poetica: Starting Over, 111 3/4—42

Ridl, Jack, There is a Cardinal in the Tree, 111 1/2—41

Ring, Naomi Shihab Nye, 111 3/4—93

Riverside Attractions / Terminal Avenue, Hayden Saunier, 111 3/4—21

Road Trip, Lucinda Watson, 111 3/4—35

Rossi, Lee, Kumquat, 111 1/2—84

Rossi, Lee, Naked, 111 1/2—83

Rossi, Lee, Knucks, 111 3/4—43

Royce, Lindsey, Polished, 111 3/4—26

S, Patricia Fargnoli, 111 1/2—74

Sagstetter, Karen, Now that you’re in a better mood, 111 3/4—79

Sahni, Brooke, Petrichor, 111 3/4—69

Saunier, Hayden, Performing Heart-Repair Surgery at 2 A.M. While Asleep, 111 3/4—19

Saunier, Hayden, Riverside Attractions / Terminal Avenue, 111 3/4—21

Scheffler, Adam, A Nursing Home in Kentucky, 111 3/4—58

Self-Portrait as Exiled Despot, Carrie Shipers, 111 1/2—50

Sepia Tones, Suzanne O’Connell, 111 3/4—12

Sevick, Leona, Meet the Faces, 111 1/2—43

Shaw, Fred, “You Can’t be in Heaven and on Earth at the Same Time”, 111 3/4—75

Shepard, Nora Hutton, No Reason, 111 3/4—71

Shipers, Carrie, Self-Portrait as Exiled Despot, 111 1/2—50

Sholl, Betsy, Missing Sister, 111 3/4—29

Silver, Anya, Grackles, 111 3/4—41

Silversides, Jennifer Stewart Miller, 111 1/2—20

Slutz, Helle Annette, Lagoon, Point Reyes, 111 1/2—24

Smith, R.T., Pandora, 111 3/4—67

Something It’s Taken Thirty Years to Write, Afaa Michael Weaver, 111 3/4—23

Song, Sue, Last Night, 111 3/4—49

Song, Sue, Last Rites, 111 3/4—50

Souffrant, Leah, Not to walk, 111 1/2—76

Southern Gothic, Holly Karapetkova, 111 1/2—46

Star Party, John Bargowski, 111 3/4—73

Stein, Kevin, The Tragedies, 111 1/2—48

Sterling, Phillip, Words Frequently Confused: Transformation, Transmutation, 111 3/4—47

Stone, Jeneva, After Life, 111 1/2—71

Stone, Jeneva, Metronome, 111 1/2—72

Strode, Rose, The Art of Sharing an Umbrella, 111 1/2—77

Talk in the Town Barbershop, Joseph Zaccardi, 111 3/4—27

Tandon, Jason, Kindness, 111 1/2—14

Tapscott, Stephen, Why do i address you as you, 111 3/4—81

The Age I Am to Myself, Dara Barnat, 111 3/4—63

The Art of Sharing an Umbrella, Rose Strode, 111 1/2—77

The Black-and-White Photograph, Richard Jones, 111 3/4—46

The Cry, Paul Martin, 111 1/2—51

The Dementia Patients, Rob Hunter, 111 3/4—59

The Local World, Joanne Rocky Delaplaine, 111 1/2—42

The Only Picture, Tim Mayo, 111 1/2—64

The Peach, Paul Martin, 111 3/4—54

The Players, Helena Mesa, 111 3/4—84

The Poem as Dog, Chris Green, 111 3/4—11

The Question, James Crews, 111 3/4—52

The Size of a fist, Matthew Thorburn, 111 3/4—18

The Super Looks from Balcony, Myronn Hardy, 111 3/4—60

The Tragedies, Kevin Stein, 111 1/2—48

The Voyeur Looks at The Milkmaid, Jan Vermeer, Jeffrey Bean, 111 1/2—58

The Voyeur Sees Her Leave in the Evening, Jeffrey Bean, 111 1/2—57

There is a Cardinal in the Tree, Jack Ridl, 111 1/2—41

Thorburn, Matthew, Holy Ghost, 111 3/4—16

Thorburn, Matthew, The Size of a fist, 111 3/4—18

Thorvaldsen, Guy, Departures, 111 1/2—15

Three Weeks of Peonies, Patricia Hooper, 111 1/2—56

Ticket Outta Here, Javy Awan, 111 3/4—33

Tigue, Lindsay, We are a System of Ghosts, 111 1/2—11

Torreson, Rodney, In St. Louis, My Son, Daughter and I Stroll the Old Delmar Loop, 111 3/4—77

Toward a Natural History of My Mother, Cynthia White, 111 3/4—36

Trapped caught held, Frankie Drayus, 111 3/4—14

Tuszynska, Emily, Every Day a River, 111 3/4—88

Ullman, Leslie, [from] Oblique Strategies, 111 1/2—32; “Abandon normal instruments”, Leslie Ullman, 111 1/2—32; “Accept advice”, Leslie Ullman, 111 1/2—33; “Accretion”, Leslie Ullman, 111 1/2—34; “Allow an easement (…the abandonment of a stricture)”, Leslie Ullman, 111 1/2—35

Vian, Jack, [From] the Grief Artist, 111 3/4—70

Waiting for the Bus, Richard Jones, 111 3/4—45

Washing My Enemy’s Feet, Rob Jacques, 111 1/2—52

Watson, Lucinda, Road Trip, 111 3/4—35

We are a System of Ghosts, Lindsay Tigue, 111 1/2—11

Weaver, Afaa Michael, Something It’s Taken Thirty Years to Write, 111 3/4—23

What Does It Mean?, Julian Bond, 111 3/4—25

What My Father Says Every Night, Rasak Malik, 111 3/4—61

What Spanish Moss Knows, Dara Barnat, 111 3/4—65

White, Artress Bethany, Playing with Guns, 111 1/2—49

White, Mike, After the Silent Era, 111 1/2—36

White, Cynthia, My Father’s Guns, 111 3/4—55

White, Cynthia, Toward a Natural History of My Mother, 111 3/4—36

White Power, Holly Karapetkova, 111 1/2—47

Why do i address you as you, Stephen Tapscott, 111 3/4—81

Words Frequently Confused: Transformation, Transmutation, Phillip Sterling, 111 3/4—47

You and I see the Animals, Jacqueline Balderrama, 111 3/4—30

Zaccardi, Joseph, Talk in the Town Barbershop, 111 3/4—27

 

World Poets in Translation: Jesse Lee Kercheval Translates Idea Vilariño (Uruguay)

Adiós I – Goodbye I, Idea Vilariño, 111 1/2—98

Adiós II – Goodbye II, Idea Vilariño, 111 1/2—104

Un Huésped – A Guest, Idea Vilariño, 111 1/2—88

Allá – There, Idea Vilariño, 111 1/2—94

El Amor – Love, Idea Vilariño, 111 1/2—102

Entre – Between, Idea Vilariño, 111 1/2—90

No Hay Nadie – There Is Nobody, Idea Vilariño, 111 1/2—100

O Fueron Nueve – Or were there Nine, Idea Vilariño, 111 1/2—96

Vilariño, Idea, Adiós I – Goodbye I, Idea Vilariño, 111 1/2—98; Adiós II – Goodbye II, Idea Vilariño, 111 1/2—104; Un Huésped – A Guest, Idea Vilariño, 111 1/2—88; Allá – There, Idea Vilariño, 111 1/2—94; El Amor – Love, Idea Vilariño, 111 1/2—102; Entre – Between, Idea Vilariño, 111 1/2—90; No Hay Nadie – There Is Nobody, Idea Vilariño, 111 1/2—100; O Fueron Nueve – Or were there Nine, Idea Vilariño, 111 1/2—96

Ya No – Not Now, Idea Vilariño, 111 1/2—92

 

Poets Introducing Poets: Naomi Shihab Nye Introduces Jenny Browne

A Rainy Day on the Rue De Something, Jenny Browne, 111 3/4—102

Browne, Jenny, A Rainy Day on the Rue De Something, 111 3/4—102; Change, 111 3/4—110; In the Unlikely Event of a Water Landing, 111 3/4—101; Llano Park, 111 3/4—107; Mountains Behind Mountains, 111 3/4—109; Open Carry, 111 3/4—105; Re-Reading The Tempest, 111 3/4—108; The Pretty Lizard Breaks, 111 3/4—98; Thoughts on the Past in Guadalupe County, 111 3/4—103; Worst Desert Ever, 111 3/4—99

Change, Jenny Browne, 111 3/4—110

In the Unlikely Event of a Water Landing, Jenny Browne, 111 3/4—101

Llano Park, Jenny Browne, 111 3/4—107

Mountains Behind Mountains, Jenny Browne, 111 3/4—109

Open Carry, Jenny Browne, 111 3/4—105

Re-Reading The Tempest, Jenny Browne, 111 3/4—108

The Pretty Lizard Breaks, Jenny Browne, 111 3/4—98

Thoughts on the Past in Guadalupe County, Jenny Browne, 111 3/4—103

Worst Desert Ever, Jenny Browne, 111 3/4—99

 

Prose

All the Softness Truth Requires”: Speculation as Invitation and Persuasion, Leslie Ullman, 111 1/2—115

I would like to Repent but I Cannot”: The Poems of Alicia Ostriker, Tony Hoagland, 111 1/2—106

A Beginner’s Guide to Tear Gas, Joanna Chen, 111 3/4—134

A Profile in Jazz and Poetry: The Lost Music of Yusef Rahman, Mary Stone Hanley, 111 3/4—121

Batnadiv HaKarmi, Holes in the Earth, 111 3/4—147

Chen, Joanna, A Beginner’s Guide to Tear Gas, 111 3/4—134

Davis, Teri Cross, Restless Vulnerability, 111 3/4—151

Freeman, Sunil, Vibrant New Work from Three Seasoned Poets, 111 1/2—148

Gilbert, Sandra M., How to Write. What to Say, 111 1/2—132

Hanley, Mary Stone, A Profile in Jazz and Poetry: The Lost Music of Yusef Rahman, 111 3/4—121

Hoagland, Tony, “I would like to Repent but I Cannot”: The Poems of Alicia Ostriker, 111 1/2—106

Holes in the Earth, Batnadiv HaKarmi, 111 3/4—147

Home Thoughts, Henry M. Seiden, 111 3/4—112

How to Write. What to Say, Sandra M. Gilbert, 111 1/2—132

LaFemina, Gerry, Some Notes on Poetry as a Way of Thinking, 111 1/2—126

Quick Takes: Three First Books, Debra Wierenga, 111 1/2—142

Randall, Margaret, The Tenacity of Memory, 111 3/4—140

Restless Vulnerability, Teri Cross Davis, 111 3/4—151

Seiden, Henry M., Home Thoughts, 111 3/4—112

Some Notes on Poetry as a Way of Thinking, Gerry LaFemina, 111 1/2—126

The Tenacity of Memory, Margaret Randall, 111 3/4—140

Ullman, Leslie, “All the Softness Truth Requires”: Speculation as Invitation and Persuasion, 111 1/2—115

Vibrant New Work from Three Seasoned Poets, Sunil Freeman, 111 1/2—148

Wierenga, Debra, Quick Takes: Three First Books, 111 1/2—142